Monday, October 6, 2014

New Book: Goggles & Dust

From the Horton Collection, one of the world's best and most extensive collections of bicycle racing artifacts, comes a new book that showcases a golden era of racing through more than 100 beautifully restored photos. Goggles & Dust: Images from Cycling's Glory Days (VeloPress, 2014) is a remarkable pictorial look into racing in the years between the world wars -- the 1920s through the 30s.

Of the impressions that one may get from looking through the book's unforgettable photos, I think the strongest is that racing in that era was a very different sport from racing as it is today, practiced by tough, road-hardened men who knew how to suffer. The pictures reveal some of the great racers of the era, passing over brutal unpaved roads, over majestic mountains, their faces coated in dust and grime, goggles over their eyes and spare tires wrapped over their shoulders -- or collapsed on the side of the road from injury or exhaustion -- and it's hard to imagine bicycle racers of today holding up to the same kinds of conditions.

From the introduction by Brett Horton: "While the names of the great riders were celebrated with increasing fervor in the daily press, the races devised to showcase their abilities became diabolically difficult. To draw crowds and sell newspapers, race directors sought the most difficult routes, the highest passes, the hardest conditions, the longest distances. The 1926 Tour de France, for example, spanned 5,745 kilometers, or 3,570 miles, over a mere 17 stages. Today's much more humane and realistic races, by contrast, run about 3,400 kilometers over 21 stages."

About the photos themselves, many of them have not been seen since the era when they were first taken, and Brett Horton says that each comes from an original negative or print, but that the images in the book have undergone some degree of restoration -- removal of water stains or fingerprints, or cleaning up of other flaws from age or poor handling -- in order to have them look as pristine as possible. The work is done well, and the images are breathtaking.

If I have one complaint about the book, it would be that I'd like to have more to read. Apart from Horton's introduction, there is very little written, and very little description to accompany the images. Most of the photos themselves have little more than a brief caption, if any at all. I'm sure the idea was to let the photos speak for themselves -- and they do -- but I would really enjoy more information, more background, more context for the photos. I don't think it would detract from the images in the least to have some story to tell, as I have no doubt the stories would be just as dramatic as the pictures.

Since the main point of Goggles & Dust is about the images, here are a few samples:





Want to see more? Buy the book!

Goggles & Dust, compiled from the collection of Brett and Shelly Horton, is recommended for its remarkable images. While more story and context would be welcome (I'm a word guy, what can I say), the pictures are wonderful and worthwhile for any bicycle racing fan.

3 comments:

  1. Sell those boys gravel bikes!
    alfred

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    Replies
    1. Back then, all bikes were gravel bikes!

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  2. Kyle --- Thanks for the review. I completely agree with you about it being a lovely book, but wanting text. When I see such photos I want to know the minute details of the moment in the particular race when the photo was taken, who was chasing whom, what the condition of the rider was, the behind-the-scene stories, and information about the bicycle itself --- all that jazz that makes for a thoroughly rich experience.

    Yes, it can be fun trying to piece things together and doing the research yourself, but who has time --- that's the author's job!

    Aldo Ross used to post images from 1920s - '50s European (mostly French) cycling magazines to the Classic Rendezvous vintage bicycle discussion list (now a Google Group) and what I loved about them was that he provided a lot of detail along with the images (some of it translated from the original accompanying text). I miss those posts.

    As is, this work tends to be more of a "portfolio" than a "book." Lovely, yes. Inspiring, most definitely. But leaving too much unanswered and so the reader feeling a bit empty and left in the lurch. One could be a little harsh and call it laziness. I won’t go that far, because I don’t know the author’s intent, but I do think if you're going to "write" a "book" you've got to make a valiant effort to satisfy the obvious hunger the reader will bring to the work, and, unfortunately, this work does not do that. Yes, it is wonderful that these images are now published and not mouldering away in a private collection, and Brett Horton most assuredly deserves kudos for what is clearly a labor of love. But I’m nonetheless wanting the ANNOTATED version!

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